Pablo Picasso “The Lady” Sculpture

Description: Size: 14.75” H x 10” W x 4.75” D -- This is a maquette/model of the large Picasso sculpture in Chicago it is a vintage piece from 1967 and was made for the Chicago Public Building Commission by the Chicago replica co. The Chicago Picasso (often just The Picasso) is an untitled monumental sculpture by Pablo Picasso in Chicago, Illinois. The sculpture, dedicated on August 15, 1967, in Daley Plaza in the Chicago Loop, is 50 feet (15.2 m) tall and weighs 162 short tons (147 t). The Cubist sculpture by Picasso was the first such major public artwork in Downtown Chicago, and has become a well-known landmark. Publicly accessible, it is known for its inviting jungle gym-like characteristics. Visitors to Daley Plaza can often be seen climbing on and sliding down the base of the sculpture. The sculpture was commissioned by the architects of the Richard J. Daley Center in 1963. The commission was facilitated by the architect William Hartmann of the architectural firm of Skidmore, Owings & Merrill. Picasso completed a maquette of the sculpture in 1965, and approved a final model of the sculpture in 1966. The cost of constructing the sculpture was $351,959.17 (equivalent to $2.7 million in 2018), paid mostly by three charitable foundations: the Woods Charitable Fund, the Chauncey and Marion Deering McCormick Foundation, and the Field Foundation of Illinois. Picasso himself was offered payment of $100,000 but refused, stating that he wanted to make his work a gift. e the sculpture.[6] Picasso accepted saying "You know I never accept commissions to do any sort of work, but in this case I am involved in projects for the two great gangster cities" (the other being Marseille, France). Picasso refused the $100,000 payment, considering his work a gift to the people of Chicago. The sculpture was fabricated by the American Bridge Company division of the United States Steel Corporation in Gary, Indiana using COR-TEN steel, before being disassembled and relocated to Chicago. Although Picasso never explained what the sculpture was intended to represent, it may have been inspired by a French woman, Sylvette David, now known as Lydia Corbett, who posed for Picasso in 1954. Then 19 years old and living in Vallauris, France, Corbett would accompany her artist boyfriend as he delivered chairs made of metal, wood and rope. One of those deliveries was to Picasso, who was struck by her high ponytail and long neck. "He made many portraits of her. At the time, most people thought he was drawing the actress Brigitte Bardot. But in fact, he was inspired by [Corbett]," Picasso's grandson Olivier Widmaier Picasso told the Chicago Sun-Times in 2004. The quality of the Picasso sculpture inspired other artists such as Alexander Calder, Marc Chagall, Joan Miró, Claes Oldenburg and Henry Moore. This sculpture is also seen as an abstract replica of an Afghan Hound dog. Picasso had a Dachshund dog, Lump, which was the former companion to an Afghan Hound dog owned by Picasso's friend David Douglas Duncan. In the 1970s Jacqueline Picasso explained to Neil Thomas, an Australian lady, it was simply a male baboon viewed from head-on. "Picasso loved the way the creature changed as you viewed it from different angles"; it was part of a continuation of his lifelong inspiration from Africa. There was an ongoing dialogue between Picasso's sculpture and his painting. Pablo Ruiz Picasso (1881 – 1973) was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian air forces during the Spanish Civil War. Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art. Picasso's work is often categorized into periods. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period. Much of Picasso's work of the late 1910s and early 1920s is in a neoclassical style, and his work in the mid-1920s often has characteristics of Surrealism. His later work often combines elements of his earlier styles. In 1907, Picasso joined an art gallery that had recently been opened in Paris by Daniel-Henry Kahnweiler. Kahnweiler was a German art historian and art collector who became one of the premier French art dealers of the 20th century. He was among the first champions of Pablo Picasso, Georges Braque and the Cubism that they jointly developed. Kahnweiler promoted burgeoning artists such as André Derain, Kees van Dongen, Fernand Léger, Juan Gris, Maurice de Vlaminck and several others who had come from all over the globe to live and work in Montparnasse at the time.

Price: 10500 USD

Location: Los Angeles, California

End Time: 2024-12-26T17:48:35.000Z

Shipping Cost: N/A USD